TITCLOWN

What is art?? Am I a genius?? Both of these questions I will be answering 'yes' to in my show. It's going to be hot. So f*cking hot. TITCLOWN is an absolutely breathtaking hour of clown/performance art/pure f*ckery that was "birthed" in California, at fellow genius performance artist Claire Woolner's theatre. Public Displays of Altadena. Jessica has been performing regularly on the London comedy circuit since 2019, completed a sold out run at London's Vault Festival, has two Edinburgh Fringes under her belt and has had more artistic influence than Picasso himself.

Performed, conceived & produced by Jessica Aszkenasy

Directed by Cecily Nash

Photography by Rebecca Need-Menear

Poster design by Dylan Woodley

​★★★★ “TITCLOWN is brilliantly relentless; each moment is obnoxiously mined for its comedic flair. Aszkenasy refuses to allow her audience to tire and we are lucky to participate in such pursuits.” Fest Mag

​★★★★.5 “TITCLOWN bounces backwards and forwards over the line of art-or-not. It could be, in much the same spirit as Duchamp’s Fountain.” One4Review

TITCLOWN: DADDY’S LITTLE GIRL

Aszkenasy & Nash’s sequel to TITCLOWN no.1: OnlyFans slut makes a clown show about falling in love <3 'Hysterically funny' ★★★★½ (One4Review.co.uk). 'Brilliantly relentless' ★★★★ (Fest). 'This is not simply under-grad humour. This is, in my view, a skilled clown presenting and counter-balancing the arguments which wax and wane through the generations about whether to sexualise or not to sexualise the female body.' ★★★★★ (UKCabaret.com). 'Her tits might have put bums on seats. But it's her silly, provocative humour and commitment that kept them there' (Chortle.co.uk). Premiered at Summerhall, Edinburgh Festival Fringe 2026.

★★★★ “Thought-provoking, engaging, and utterly superb.” From the North

“Directed by Cecily Nash, Daddy’s Little Girl is divided neatly between these two forms: half wry analysis told with a bitter laugh, half nude-heavy clowning that bares its teeth at the ease with which men command praise, affection and power.” The Guardian